Empirical Research was carried out in France, Spain, Liechtenstein and Serbia, in 6 Guitar Festivals held in the cities of Belgrade, Colmar, Paris, Seville and Vaduz. It is examined how Dyens and Bogdanovic articulate the kinds of "music-making" in face-to-face situations, comparing them with their discographies. The methodological path was developed in 3 phases: Literature Review Dyens and Bogdanovic Discograph Study and Empirical Research through observational study non-participant and participant. The research has as theoretical axis composition modes in performance ' developed by Finnegan (1989) and the variables of music-making of Elliott (1995) on "performance", "composition", "arrangement" and "improvisation" for the qualitative and quantitative analysis of the guitarists-composers` music-making studied in this Thesis. Doctoral research conducted at the University of Aveiro (July, 2016) about the music-making of guitarist-composers Roland Dyens (1955) and Dusan Bogdanovic (1955) through exploratory qualitative observational study participant in masterclasses, recitals and ensembles in Festivals of Guitar held in Europe from October 2012 to October 2013, supported by the study of the entire record of work Dyens and Bogdanovic between the years of 19.
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